Back in November I
wrote about being chosen for the FictionKNITsta cross-Canada book tour. Several
women authors were paired with a knitter who would read the author’s book, then
create a wearable item or accessory for the author, based on a theme or idea
from the book. I was thrilled to be included in this venture, and delighted to be
assigned to read Milosz, by Cordelia Strube.
I loved Milosz.
Filled with colourful, appealing characters, I couldn’t wait to see what would
happen next, so I raced through it and was sorry when it was over. Happily,
when I reread it in order to gain more ideas and insight and to find clues to
help me figure out what to make for Cordelia, I enjoyed it all over again.
Autism, family ties,
language and communication are intertwined with love, growth, rebirth, trust
and commitment in Cordelia’s capable hands. Serious themes expressed with great
humour and heart. It is a joy to read about these people who seem so real and
whose outcome you care about.
How to interpret any
of these themes through knitting?
I picked a scarf as
the item to make because a scarf left behind by Milo’s
girlfriend is so evocative: “Zosia left a silk scarf behind. In moments of
howling woefulness Milo lies with it draped over his face … picturing her
smoky, weary eyes … He lifts her scarf a few inches off his face then lets it
drift back down … “ (pp. 14 & 24) It is as though he is breathing in her
essence.
The pattern I chose is called Ballet
Lace Scarf and I picked it for several reasons. It has a very specific repeated
pattern and this was important to me because of Robertson, Milo’s
young next-door neighbour who finds comfort in order and pattern. At one point
in the book, Robertson and Gus, Milo’s father,
connect on a level that is different from anyone
else’s. Neither can speak the other’s language, but the two of them spend many
happy hours together laying stones for a patio—making something with an
ordered pattern, and building trust in a way that nobody else has been able to
do.
I also liked this pattern because it looks a
bit like vines climbing a trellis, and this reflects the idea of growth, plants
and gardening. I picked a lovely pale apple green for the same reason, and
because I thought it would look fantastic on Cordelia. The yarn is made from
sugar cane, again reflecting the plant element.
Since Cordelia is tall I made the scarf super-long
to wind around her neck several times or simply wear very, very long. Since it
is a plant fibre, it is very soft and drapes beautifully.
The bonus in all this was to actually meet
Cordelia, so we got together for coffee last month and I presented her with the
scarf. It was lovely to meet her and the scarf suited her perfectly.
Toronto’s FictionKNITsta event
is this Saturday, June 1, 2 p.m. at Ben McNally Books. I’m looking forward to
meeting some of the other authors and see what they are wearing and hope to get
some good shots of Cordelia sporting the scarf. It has been a very fun
experience for me, combining two activities I love, reading and knitting. Now
if only I could do both at the same time!
P.S. Fantastic reading at Ben McNally Books in Toronto this afternoon with Dora Dueck, Stella Harvey and Ailsa Kay, and Cordelia Hosting. Intriguing, thoughtful questions from the audience as well. Here's a shot of all four, with Cordelia on the left, then Stella, Dora and Ailsa, displaying the gorgeous knitwear. The audience was impressed with the knitting as well as the reading. Great event.
P.S. Fantastic reading at Ben McNally Books in Toronto this afternoon with Dora Dueck, Stella Harvey and Ailsa Kay, and Cordelia Hosting. Intriguing, thoughtful questions from the audience as well. Here's a shot of all four, with Cordelia on the left, then Stella, Dora and Ailsa, displaying the gorgeous knitwear. The audience was impressed with the knitting as well as the reading. Great event.
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