By Marie-Renée Lavoie
From the first sentence of Marie-Renée Lavoie’s debut novel, Mister Roger and Me, we are drawn into the lively world of the feisty eight-year-old Hélène, otherwise known as Joe. Growing up in the 80s with her parents and three sisters, Joe finds life somewhat humdrum, compared with that of her heroine, a TV cartoon character named Lady Oscar. Oscar, disguising herself as a man, is captain of the palace guards in the court of Marie Antoinette, leading a life of dangerous deeds and heroism. Hélène admires Oscar’s strength and bravery and, wanting to be more like her, searches for adventure, hardship and sacrifice in her own life.
From the first sentence of Marie-Renée Lavoie’s debut novel, Mister Roger and Me, we are drawn into the lively world of the feisty eight-year-old Hélène, otherwise known as Joe. Growing up in the 80s with her parents and three sisters, Joe finds life somewhat humdrum, compared with that of her heroine, a TV cartoon character named Lady Oscar. Oscar, disguising herself as a man, is captain of the palace guards in the court of Marie Antoinette, leading a life of dangerous deeds and heroism. Hélène admires Oscar’s strength and bravery and, wanting to be more like her, searches for adventure, hardship and sacrifice in her own life.
In her first attempt at this, she takes on a
paper route, pretending to be ten to get the job. Rising very early all alone,
carrying the heavy load of papers and delivering them on time in the early
morning hours, she has pride in the knowledge that she is doing something hard
and having to sacrifice a few hours of sleep in order to do the job properly.
This gives her great satisfaction (as well as cash) and helps prepare her for
later exploits.
Although her surroundings seem commonplace to
her, Joe’s neighbourhood has some very interesting characters wandering around
in it, including several psychiatric patients, and a few neighbours who
entertain the others on hot summer evenings with their loud carrying-on on the
balcony. It’s as good as a movie! Into this mix, Mr. Roger arrives, adding his
own brand of local colour with his salty language dispensed from his armchair
on the front lawn, where he smokes cigarettes and drinks beer. Ready for the end of life
as Joe is beginning hers, the two have some prickly encounters, each side
trading insults with equal ability and enthusiasm. They settle into a
relationship of tolerance on one side and protectiveness on the other, eventually
forming a deep and solid bond, with which both are content.
This book was a delight to read. First encounters
between Joe and Mr. Roger are hilarious, and the advice that Hélène’s mother
bestows on those not as adept as she at handling their children had me laughing
out loud. There are also some genuinely touching moments, particularly between
Hélène and her sad father, and of course when Mr. Roger nears the end. But
Lavoie depicts these scenes as adeptly as the humorous ones; we feel sympathy
and compassion, but it is never overdone or sentimental.
But the main attraction of the book is Hélène/Joe
herself. I loved her spunk and determination, her tenderness towards her two
younger sisters, and her willingness to help, sometimes anonymously. As the book
progresses we see a young girl growing up who never loses her early goals, or
her spirit and sense of humour. She is just as appealing as a young woman named
Hélène as she was as the girl called Joe.
Lavoie’s wonderful book was translated by
Wayne Grady and he does it beautifully. While it never feels like a
translation, there is enough French here and there to evoke a colourful and
inviting French-Canadian community.
Thanks to House of Anansi for supplying me with
the Advance Reading Copy.
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